Monthly Archives: May 2010

Dennis Hopper’s 5 worst movies

This past weekend, Hollywood lost a great actor director, and artist, Dennis Hopper at the age of 74 (1936-2010). His memorable and erratic career included an early turn in Rebel Without a Cause, an improbable smash with Easy Rider, classic character role in Blue Velvet, and legendary favorites like  Apocalypse Now  and Hoosiers.

Hopper died Saturday at his home in the Los Angeles beach community of Venice, surrounded by family and friends. In October 2009, it was announced that he had been diagnosed with prostate cancer and since then his health had deteriorated till his passing on May 29th.

While mainstream media is celebrating his most successful films, BabbleOn wanted to honor him with his top 5 most infamous roles that spanned his 200+ film/TV appearances and 50+ year career. These may have been lesser known roles but Hopper still managed to add his unique creative vision to them. We’ll miss you Mr Hopper. 

#5 King Koopa from Super Mario Brothers (1993)

#4 Rudolph ‘Red’ Diamond from Boiling Point (1993)

#3 Steve Scott from Grand Theft Auto: Vice City (2002 video game)

#2 Howard Payne from Speed (1994)

#1 Deacon from Waterworld (1995)

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Live-Action ‘Dilbert’ Movie?

“The always reliable Pajiba is reporting that Phoenix Pictures (Zodiac, Shutter Island, Black Swan) is developing a live-action feature film based on the Dilbert comics, introduced in 1989 created by Scott Adams. And apparently they’ve got the director of The Sisterhood of the Traveling Pants, License to Wed, and He’s Just Not That Into YouKen Kwapis – attached to direct. Yes, this will probably be just a feature version of “The Office” and it’ll probably end up being pretty awful, mainly because I just can’t see Kwapis creating a masterpiece out of Dilbert (can you?).”

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5 famous sci-fi movie quotes as infographics

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Jonah Hex Official Trailer #2

Trailer Below:

http://movies.ign.com/dor/objects/40155/jonah-hex/videos/jonahhex_trl2_052510.html?show=hi

Hits Theatres June 18th.

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MacGruber

After a 10 year silence, SNL is back in the theaters with Will Forte’s bomb defusing MacGruber. As soon as I saw the trailer I thought maybe they should have stayed quiet for a few more years- but I will give it a try. Spawned from a Saturday Night Live concept that spoof’s the 80’s MacGyver, MacGruber attempts to take the 3 minute sketch and stretch it out to 2 hours. It’s a pretty painful stretch too. It’s unfortunate considering the original sketches are pretty entertaining and the 80’s was never short on source material.  

MacGruber starts with terrorist Deiter Von Cunth (played by a bloated Val Kilmer) stealing a nuclear missile for nefarious purposes. Out of desperation, the government recruits retired hero MacGruber to recover the missile and save the world. MacGruber assembles a team consisting of Vicky St Elmo (The awkward Kristin Wiig) whom he has a past with and new straight-laced recruit Lt Dixon Piper (Ryan Phillippe). Together they have to not only prove Cunth’s guilt but recover the missile before it causes an international incident. However, MacGruber’s core problem is not the weapon of mass destruction but something even more serious.

MacGruber worst enemy is poor writing. The script makes a solid attempt at being funny throughout. There are legitimate opportunities every few minutes that could have resulted in hilarity but it just couldn’t capitalize on the moment. About 30% of the time, the humor sparks a chuckle. For the other 70%, you can’t help but think “that joke would have been much funnier if they just said it this way…” written by Will Forte, it’s apparent that it would have been more consistent under a different writer(s). Will, stretching 3 minutes out to 2 hours is harder than it looks right?

Another ‘serious’ problem is a flaw in the basic premise of MacGruber as a hero. MacGruber is supposed to be a highly decorated, world renown, super-special agent for the government. As set up in the beginning, he is the ‘best of the best’ and a national hero. However, during the rest of the movie, he is a complete incompetent bafoon. He’s not only untalented but a liability by killing innocent team mates! What’s even more frustrating is that unlike his MacGyver counter-part, MacGruber does not build a single working device- zero! That IS his schtick right? They could have easily addressed his under-performance with a plot point but instead they just assume we are all idiots. I know you can’t think too deeply about an SNL comedy but I have to draw the line when it insults the intelligence of the audience.

Besides a couple of isolated scenes, MacGruber is a disappointing movie. It’s surprising that SNL chose it for the return to the big screen. If you are a HUGE fan of SNL then you might find it mildly entertaining. If not, watch the SNL 3 minute clips and save yourself 1 hour and 57 minutes.

I give this a 1.5 Babbles out of 5.

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Robin Hood missed the target

When I heard that Ridley Scott and Russell Crowe were teaming up again to bring another ancient hero story to life, I surprisingly asked ‘why?’. They made Gladiator which, while overblown and a rip off of Braveheart, was considered a success. So I was puzzled why team up again to tell a story that has been told many times before? I will speculate at the end of the review but first, on to the film.

Robin Hood is basically an origins story. Robin Longstride is a faithful and brave archer in the King’s army. Having enough of the military life, he and his merry men decide to go on the road for a simpler life. Along the way they hitch a ride back to England, Longstride get’s mistaken for Robin of Locksley, falls in love with Lady Marion, and ends up leading the English army into battle against the sneaky French. wrongfully accused by the end of the film, he dones the title of ‘Robin Hood’ and takes his place among the forest, beginning a life of stealing from the rich and giving to the poor. Sounds OK right?

This new version of Robin Hood is diametrically opposed to the Kevin Cosner’s Robin Hood: Prince of Thieves in every way. This new version is authentic, well acted, beautifully shot, and grounded in realism. The problem; it’s also boring, lifeless, humorless, and as romantic as a game of chess. While the 1991 Robin Hood was a complete mess, at least it was fun and exciting in a corny kind of way. While the world Ridley Scott knits together is well crafted, I found myself enjoying the scenery more than the actors that inhabited it. It also is crippled by a storyline that is difficult to track and action scenes that are forgettable.

While I generally like Russell Crowe and Cate Blanchett, I just found them too old for this origins story. Crowe does a good job portraying the noble, quiet fighter but is given very little else to develop. There is a desperate attempt at storyline about his father but it’s unsatisfying and pointless. Marion is hardly a maid and is way too heavy-handed as a strong independent woman. A younger and more vulnerable actress would have been better suited as a counter to the already strong and independent Robin Hood. It’s not till the last twenty seconds of the film that you kinda get excited about the adventures of Robin Hood and his merry men. Unfortunately, it’s too late to care. This is a wasted effort for such a talented cast.

So back to my original question of why this movie now? Inspired by great origins stories like Batman Begins, I believe Ridley Scott and Russell Crowe are in search for the new epic franchise. I think that is the ‘holy grail’ for these directors with reputations to protect.  Robin Hood felt like an attempt to ensnare the audience in wanting more and telling an epic story that spans multiple movies. Don’t get me wrong, I am a big fan of Scott. Blade Runner and Alien were some of the best movies of their generation- so long ago. Now I am starting to question his vision to create unique and compelling stories. This movie didn’t help that case either. So if you want to good laugh, rent the 1991 Robin Hood. If you want a good nap, watch this version.

Sorry Ridley, looks like your crusade for the holy grail continues, but please take us in another direction.  give this a 2.5 ouf 5 Babbles.

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Shrek 4 walks tall at the box office

The jolly green giant may have vanquished all box office foes but this 4th outing couldn’t beat its ultimate competitor- itself. The DreamWorks animated sequel, which was released in 3D at more than half of its 4,359 locations, earned $71.3 million in the U.S. and Canada. The audience was well below previous Shrek films, including Shrek the Third, which opened at $121.6 million in May 2007. Looks like 4th time was not the charm. Marvel’s Iron Man 2 came in second with $26.6 million while Robin Hood came in third with $18.7 million, bringing its North American total to $66.1 million. Saturday Night Live spin-off, MacGruber took in a meager $4.1 million during it’s opening weekend, landing in sixth position missing our top 5.

This Wk Title Dist. Weekend Gross Cumulative
Gross
Rlse
Wks
1   Shrek Forever After Paramount Pictures $71,250,000 $71,250,000 1  
2   Iron Man 2 Paramount Pictures $26,600,000 $251,265,000 3  
3   Robin Hood Universal Pictures $18,700,000 $66,100,000 2  
4   Letters to Juliet Summit Entertainment, LLC $9,100,000 $27,400,000 2  
5   Just Wright Fox Searchlight Pictures $4,225,000 $14,631,000 2  

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Lost Finale recap

This is a re-post from Examiner.com

The past six years of ABC’s “Lost” — from the arrival on the island to every tragic death — have all been leading up to this.

Desmond and Sayid’s quest

The finale began in beautiful fashion, with a wonderful shot of the Oceanic cargo containing Christian Shephard‘s body. Desmond, who had brought Kate along for the ride, agreed to sign off on the casket.

As we already know, Desmond and Hurley are on a mission to get everyone to remember the “other” life on the island. Hurley, who took Sayid out of prison, attempted to convince him to stick around. Of course, the moment Hurley stuffed Charlie tranquilized body into the back of his hummer, our resident torture expert probably wanted to change his mind.

The next revelation to come on the show wasn’t from them, though — it was Sun and Jin, who remembered the other world after Juliet came into their hospital room to show them the Ultrasound results on their baby girl.

We stay in the hospital now with Jack, who was about to put John Locke under the knife for his surgery. We then learned that in this world Jack and Juliet were once married, and the two discussed letting their son attended a concert with Claire.

But then, we moved back to the driving force of the sideways world. Hurley gave Sayid a pep talk about being himself, but it was all part of a plan to have him reunite with Shannon. Remember Shannon? It’s been so long, but Sayid’s island romance has now found its way back into the show.

Charlie wakes up in the dressing room for his concert gig, where we also see Faraday and Charlotte meet up. Claire and Kate also reunite, and Charlie sees the “girl of his dreams” for the first time. Sounds about perfect timing for Claire to have her baby!

Kate being there for Claire having the baby produced her “island moment,” while Claire received hers the moment she held Aaron in her arms. Charlie came back, and (don’t you know it!) he quickly was reconnected to the woman he loved.

The island confrontations intensify

Jack quickly tried to relay his instructions to everyone on how to get to “the heart of the island,” which was the one place he needed to keep the Man in Black away from. Hurley (as per usual) proclaimed this was a bad idea.

Meanwhile, Sawyer was sent to try and pull Desmond out of the well, but he was quickly met by the M.I.B’s Locke reincarnation and Ben. Sawyer was able to escape, but Locke was still convinced that his goal would be granted.

Desmond’s other story

Desmond on the island was quickly a story of everything we forgot about. First, we saw Vincent waking him up — then, we learned that Rose and Bernard were the two that were taking care of him. They told him that he needed to leave immediately after he was better (as it was their rule to avoid drama). Unfortunately, drama came right to their doorstep.

Lock showed up with a threat to make Desmond “do whatever he wants,” and he went along with it in order to protect Rose and Bernard.

On to the light

Sawyer came back to break the news about the island, but Jack quickly informed him that the plan wasn’t changing. They were all heading to the exact same place regardless, and when Locke showed up this was made even more apparent. Jack informed Locke of some of his plan, and for the first time all season Smokey actually looked a little nervous.

That started to change, though, as Locke made a demand that strangely everyone followed — only going into the bamboo with Jack and Desmond. Everyone started to go into the light together, and they tied a rope around Desmond before doing so. However, the “brother” was the only one that really understood what could be on the other side: a world where the plane crash never happened. The sideways world! Desmond is the only one who can connect the two.

Desmond began to slowly descended into the light, and we soon realize that there actually is something down there — a giant rock that strangely reminds me of Indiana Jones. Upon immediately taking it out, he quickly realizes that something is wrong. The light started to fade, and the island quickly turned to the underworld.

At first, it looked like John Locke was actually getting what he wanted. However, there was a flaw in this plan — by extinguishing the light, he was now mortal.

Richard and Miles — still about the plane

During all of this madness, Richard was still convinced that the only way to really defeat the Man in black in this world was to blow up the plane. He convinced Miles to join him, which led to the two of them paddling out over to Hydra Island to recover the plane.

In the water, they made a startling discovery — Frank, who wanted them to still fly off the island and leave Locke there. Then, they had their next unexpected guest in Claire, who was more than convinced at first that Richard and company were working with Locke. She didn’t do anything to them, and just walked away.

Things fall apart

With the island without its light, everything really did begin to crumble — was the prophecy of it sinking going to happen? For everyone not named Jack or Locke, this meant major trouble. Ben was trapped under a tree trunk, and Miles and Richard attempted to contact them while the plane was getting ready to fly.

Ben knew a way for everyone to get everyone over — his boat — but they still had to find a way to make it happen.

Locke was about ready to board it when Jack confronted him, and thus began the fight we’ve all been waiting for all these years. It was every bit as epic as we expected, with Jack first getting stabbed as they rolled around on a cliffside.

Just when it all looked like it would be over for Jack, Kate came up and shot Locke in the back. The darkness was over, and Locke’s body went bouncing down the rock.

The sideways aftermath

This scene connected directly back to the sideways world, where we saw Jack feel the “scar” on his neck (possibly caused by their fight). Locke had suddenly recovered from spinal surgery, and was ready at the moment to jump up and get on his way — after all, feeling his toes caused him to regain his memory of his other life.

Sawyer, unfortunately, was one of the few people who didn’t know what was going on still — so he was confused when Sun and Jin said they would “see him there.” Or, at least he was that way until he ran into Juliet and planted a kiss on her after a funny moment involving an Apollo bar.

Jack arrived at the concert to pick up his son, and he quickly ran into Kate instead. Was Kate the woman who would make him remember? Of course! The two went off to the same “unknown destination” everyone was heading off to.

“It’s over,” almost

Back on the island, we knew these people still had a long road ahead of him. Miles and Richard were still trying to fix his plane with Frank, while everyone else was simply just trying to get off of the island before it sinks.

In the end, though, Jack realized that he still had a responsibility to the island — he didn’t want to leave. Hurley and Ben (who apparently hate the real world so much that they can’t bear to look at it) also decided to stay behind. This led to Kate and Jack having a tearful goodbye, and Jack limping off with his cut stomach to save the island and restore the balance of good to the world.

Jack knew that it was likely a suicide mission, and so he entrusted the job of protector to Hurley. He found Desmond at the bottom still alive, but continued to take the responsibility on his own. He placed the stone back in, but then began to slowly die as the water poured back in and the light started to shine…or did he?

Sawyer and Kate didn’t have much time to mourn — instead, they had to swim out to the boat while Frank managed to get the airplane up and running. Not only did they manage to make it, but they also convinced Claire to come on board in order to see her son.

The end

Watching the final few minutes of this episode, it is difficult to even describe how beautifully-done it truly was. Jack managed to crawl back out into the jungle, and as he continued forward we were shown footage of the sideways world.

The final destination was a church — one where everyone finally met up in one place. Ben was the only person who didn’t enter, and it was a decision he made independently (though I’m really not sure why). Inside, Jack ran into his father, who was surprisingly alive. Or, as you could instead say, they were all surprisingly dead.

Everyone dies sometime, and this church was the meeting of their souls before they moved on. So what was this sideways world, really? In many ways, it was a chance for every person to forget what they had “Lost” in their mundane lives.

As they all came together to celebrate each other’s company, Jack fell down in the exact same place in which he woke up after the plane crash. Vincent came and sat down beside him, and the plane flew overhead as his eye closed.

What an incredibly moving look at life, death, forgetting, and remembering. Never again will there be a show like “Lost.” Ever.

Thanks Examiner.com!

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Sex and the City 2

OMG this looks like SO much fun!

Here is  a movie that is already getting some series Oscar buzz,  Sex in the City 2, lost in Abu Dhabi, which I am guessing any guy who sees this will wish he was. Personally I can’t wait to see which one of us Babblers has to go see it. I think we should make a bet, and whoever loses has to go, alone.

Okay in all fairness, we should probably find a female to review the new adventures of Samantha, Carrie, Charlotte and Miranda for us since, just like Twilight, I can’t take this movie seriously

Somehow on a vacation in Abu Dhabi, they happen to run into Adrian, and from there, who knows what could happen? Really, why are these four women going to vacation in Abu Dhabi? Out of all the other chic places in the world, and how do they also run into Aidan at the same time in this desert landscape we will never know.

I picture it as a cross between Aladdin and Sinbad but at least Jasmine had depth. The tag line for the move is Carrie on, but maybe it should just as well be we could Carrie-less.

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Chuck Season 4!

 

No one is more happier than Chuck and Morgan!

According to many credible sources, including Ausiello at EW.com and TV By The Numbers, Chuck has been renewed for Season 4. So far, Chuck season 4 has been given a 13-episode order. The spy/comedy/action series will stay put on Mondays at 8 pm ET/PT, where it will hold onto its time slot come this fall. While NBC has only reportedly ordered thirteen episodes, it’s possible that the Peacock will revisit the episodic order later on in the game once it sees the numbers for the first part of Season Four. Hopefully it will get the green light to complete a 22-episode season, but only someone with an ‘Intersect’ in their brain can know for sure.

Congrats to the cast and crew of CHUCK!

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Robin Hood

*Review by guest Babbler Morris Barrier*

When I think of sprawling epic films no director still living comes to mind.  I think of David Lean (Lawrence of Arabia, Doctor Zhivago) and although Ridley Scott is not a creator of epic films in terms of length his body of work is incredibly vast and often visually stunning.  From Alien, the re-invention of sci-fi horror to the stylish Blade Runner to the near-epic Gladiator, Scott delivers consistent results so much so that even his worst films are better than most directors’ mediocre films.  Along with a veteran of many of his films, Russell Crowe (Gladiator, A Good Year, American Gangster), he takes on Robin Hood.  Don’t go looking for any Brian Adams love themes, because you won’t find it in this almost overly serious update.  In fact, the characters rarely crack a smile and if their names and this film had been named something other than Robin Hood you scarcely would have recognized it.  Don’t let that prevent you from watching.  Just know that it’s a prequel, and a gritty one at that.

The film begins at a seminal moment in England toward the end of the 13th century, with King Richard just finishing his crusades in the Middle East and now at war with France.  Godfrey (Mark Strong) has divided loyalties and devises a plot with the French to assassinate the King, handing power to his indulgent, inexperienced brother, Prince John.  The French involvement has to do with retaliation once the naive new king rules England in its weakened state.  The king dies in battle instead, leading to desertion by the war-wearied soldiers.  Crowe actually plays Robin Longstride and for reasons I won’t get into he ends up assuming the identity of the fallen Robert Loxley of Nottingham as a means to get back to England.  Passage to England him and his merry men has its price, however and he must first deliver the king’s crown to the queen, followed by a trip to Nottingham to deliver a sword to Loxley’s ailing father.  The story takes form here when he meets Friar Tuck and a very dour Marion (Cate Blanchett), whose lives have been destroyed by the corrupt sheriff and a heavy tax burden.  King John learns of the plot and now he must gain the loyalty of those he carelessly ruled (more on how he does this in a moment).  All of this culminates in a French invasion that looks strikingly like D Day in reverse led, of course, by Robin Hood and his merry men.

The moody photography is scrumptious and fitting but it’s the production design by veteran Arthur Max and the costumes that caught my eye in this film.  I loved watching Marion thaw as she was forced to spend her days with Robin Hood.  It’s a great picture of how the little things are often the big thing in a relationship.  To me, it was effective enough to put it in almost “chick flick” territory.  At this point in the review you may be wondering what happened to the jolly Robin Hood story we expect, with arrows, robbing from the rich and what not.  Again, it’s a prequel so you won’t find it but there is a decisive moment where Robin Longstride transitions near the end of the film (or perhaps in the final frame of the film).  Earlier on, King John buys the loyalty of commoners to go to war by promising sign a charter, a great charter if you will, that limits the power of the King and extends liberty to the people.  Without spilling the beans I’ll just say that King John does something regarding this great charter that is such a vile affront to freedom lovers around the world that in my eyes it makes the movie worth the price of admission.  Some will call it hokey but I’d call it an unconventional plot device by screenwriter Brian Helgeland (L.A. Confidential).  This all occurs to solidify the concept of Robin Hood in the simplest of terms.  People will not stand for heavy taxation for a sustained period of time by a corrupt government.  Eventually the brave will rise up and make a difference.  The parallels of our situation today are difficult to avoid.  Be it leaders who take us on extended war campaigns or leaders who tax and cheat, a good film has to tie in to current realities and can do so without being offensive, which Robin Hood succeeds at.  After all, it’s a summer movie! 

I give it a 4 out of 5 Babbles

Babble On!,
Morris

Thanks Morris, looking forward to future babbles from you!

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Ironman 2 is the hero again

Future is so bright, you gotta wear shades…Ironman 2 continues a strong 2nd week performance by raking in $53 million crossing the $200 million mark. Coming in a far second, Russel Crowe’s Robin Hood opened to a disappointing $37 million. The rest of the openers also suffered by comparison, probably directly related to the high ‘Iron’ diet of moviegoers. Surprisingly, How to Train Your Dragon is still hanging in the top 5. While SNL MacGruber opens this weekend, the real test will be Shrek the 4th. Being a high dollar franchise, Shrek is sure to test Tony Stark’s super suit to the limit. We’ll see who is the real hero this weekend.

This Wk Title Dist. Weekend Gross Cumulative
Gross
Rlse
Wks
 
1   Iron Man 2 Paramount Pictures $53,000,000 $212,160,000 2  
2   Robin Hood Universal Pictures $37,114,000 $37,114,000 1  
3   Letters to Juliet Summit Entertainment, LLC $13,750,000 $13,750,000 1  
4   Just Wright Fox Searchlight Pictures $8,500,000 $8,500,000 1  
5   How to Train Your Dragon Paramount Pictures $5,120,000 $207,764,000 8  

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